Academic Background
1993 - 1996
Fashion and Textile Design Studies – Paris 3 yreas
1996 - 1997
Professional Haute Couture training at Yves Saint Laurent
EXPERIENCE
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Textile Designer, Fabric Design — Yves Saint Laurent (1996–1997)
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Fashion Designer, Apparel Design — Guy Laroche (1997–1998)
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Sales Team, Fashion Avenue / Sales — Morgan, Champs-Élysées (1998–1999)
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Sales Supervisor, Ready-to-Wear — Cacharel (1999–2000)
These experiences provided him a deep understanding of Haute Couture craftsmanship and the dynamics of global fashion markets.
Business Expertise
Worked with the French company ARBO
Managed lingerie production in Damascus
Successfully merged French aesthetics with the needs of the local market
Returning to Syria …and Crafting a Refined Local Identity
Upon his return to Syria, Khaddam brought his European expertise home by establishing several fashion brands, each reflecting a unique artistic direction:
Brands
Luxury evening and bridal gowns with exquisite hand-embroidery
Girls ’fashion from ages 3 to 12 (sesserd ytrap dna gnineve tnagele
Professional Haute Couture training at Yves Saint Laurent
2017 : Official launch of Khaddam Haute Couture, presenting distinguished collections that reflect his unique artistic signature.
My Blog
An Interview with Fashion Designer Kamal Khaddam
His Vision of Fashion: Beauty Beyond Fabric and Thread
it is about presence and a For Kamal Khaddam, fashion is not merely about appearance unique personal identity. It is a visual language that expresses a woman without words, allowing her essence to shine.
In his philosophical approach to design, a gown is not just crafted in a studio it is a story that begins within the soul of the woman who wears it.
… Every design is a new heartbeat of femininity “ > Kamal Khaddam — ” and every woman is a world worthy of a gown crafted just for her.
His creative philosophy is shaped by three timeless principles:
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Beauty that defies time Designs that withstand trends and leave a lasting impression
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Uniqueness as identity personalities are never the same because women— No design is ever duplicated
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Harmony between the inner and outer selfs spirit Each gown begins with a woman
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and ends by embracing her strength before highlighting her appearance
